The other

across cracked stone
the river runs
pouring
prideful
rubble red and
cold the sky
a broken reflection across
words in flames and placards

the people stand against the banks
in ranks
a rising stench
the sticks and stones that conquered bones
have built with rhetoric
a fear
begun years and thousands ago
summers of sweat
and placing bets

my hand – I win –
just because I was born
here and now and with this
not yours, not you

I am not
at ease with my own evolution
through no fault of your own
but some one rolled the dice
and I came up
able to breathe out of the river
un-drownable.

American.
Straight.
White.

others
maybe not

birth order and color and status and passport
all seem to make a difference
perception and expectation puts a powdered wig
on truth
a spiraling simplification

by them. by us.
by ‘we the people’
and I have the choice to care
or not care

wall

The Euphony of Baltimore

Inspired by Pastor Chris Dreisbach’s sermon at Old St. Paul Episcopal and a good man on Eutaw Street:

A step over cracks and chicken bones on
Eutaw street
I pass the flock of Raven-decked men in
deliberation:
“You don’t know what…”
but I never find out as I keep walking
and “Loose ones!” drowns out
all else
in my ear

A wide U-turn by an MTA bus spurs an angry honk
by a yellow taxi cab
The doors breathe open
letting out umbrellas, tired faces, a hope that today,
Tuesday, may be a little sunnier, a little
better, bring a little more money, maybe that
check will come in today, maybe one day…
…there will be less maybes

I can’t ignore the silent man sifting
through the layered cardboard
packed tightly in Tito’s Vodka and
stereotypes
and an aroma of sour loss
And I can’t ignore that just last week
Lexington street taped in yellow warnings and
flashing lights frightened mid-western visitors
from crab cakes in Mrs. Faidley’s.

But one,
one grizzly bearded small man
steps back up the curb toward me,
looks up from under his purple hat
nods and casually says
“Good morning, Dear Heart, good morning.”

makes me smile, simple as that
and I can’t help but think
Baltimore is beautiful
Baltimore is beautiful

lexington market

Gratitude

Now
You
Surrounded
Close your eyes
Let it flow
all
down
around
you.

run like you can
run like you have

fast
like you don’t get tired
like you’re barefoot
nothing weighing you down
like there’s no one on the beach
like the sun has just come up

like it’s so new
like it’s been forever

Like you just
feel
ALL
of it
On your skin
In your breath
Through your soul

Til you stop.

And you’re
heaving.
panting.
soaking.
weeping.
laughing.

Weightless

and overflowing

IMG_5977

At My Worst

Wrote this last fall – it’s a little raw, but I’ll share as is:

I will wear my casual like an armour
I refuse to be a casualty of you knowing me
I will cut my feelings under skin
You will never see me bleed
And if I cry – IF that is –
I’ll lie. To you. To me.
I will keep you free of any
burden to comfort me
You will never know my fears
(And in turn my passions probably)
I deny that I’m afraid
There is no secret to this shield
No pin to this grenade – it’s done.
Blunt. Mute. Numb.
I will protect you From causing me
Disappointment
Hope
Restlessness
Pain
Leaving
From needing
to protect me.
Don’t.
No worries.
I don’t need it.
I can’t
Fall.
This is me
At my best

He is.

My annual Easter poem, with gratitude… 

He is concerned with

a knowing for
the woman at the well
the surprise of a girl who hides for too long
from the whip every time she draws
the water she needs the whispers that sting her skin, piercing the heart
she’s claimed not to have … in the past

But he knows her.
He knows her.
And that’s all that he said.

He is concerned with
reassuring
the one who’s faith trusted his robes
deep in the crowd that pressed,
resting in a waking of power
that heals
the priest in the night
baffled and blundering
the blind men
begging to see
“Where have they taken him, please?”

He is concerned with peace
with giving back
the ear that went missing
with changing
the Sabbath
the temple
the curtain revealing
the code that he’s breaking
that shook all of us–white-washed tombs–
empty

He is concerned with
forgiveness
understanding
for we who have no clue what we are
doing or demanding
(asking “what is truth?”)
in life
in death
in love
in
intolerance for the man called a king
loved a man called a thief
and met him in heaven that hour.

He is concerned with looking
Through our wine and vinegar offerings
deep in the heart in the tears
to the water, the blood
Asking us from his position of death

to ‘take care of each other’

Then crying out that He – forsaken –
finished all the taking

that we all deserved
to take.

Whimsy

Just kind of had some fun with this commentary. Still needs work and I got lazy and didn’t do a fourth verse, but here it is from March/Nov 2014

What if mermaids poured down
from the sky into Baltimore Street?
Fins flapping
Flopping as they land.
And they crawl away in search of water
anything wet…mist, puddles, the ocean…
How long would they survive?
From the middle of the city to wherever
they could drag themselves
breathing heavily, short breaths
the gills in their neck, panicking the scales
leaving shimmering slime behind
as they crawl down Charles St
towards the harbor
ignoring the shouts all around,
“Don’t go there! The water will kill you!”
It’s a risk to try.
Or not to.
What would you do, if you were a mermaid
landing desperate in Baltimore?

A pulp of orange
pumpkins turned jagged-teeth men
or witches, cats, aliens,
an unusual likeness of Elvis
sit wondering on St Paul, waiting for what they’ve heard
will be the night of nights
what they’ve been grown for
will glow for.
What would you do as you sat with a candle in your head
knowing – because you’ve heard –
that tomorrow you’ll still sit here. Your hat burned.
Your hate brimming? because you’ve heard
that soon your mouth withers, wrinkles, wraps around
your teeth and eyes, sinking in to cement steps.
And you’ll still sit here.
And sit here.
And sit here. Still on St Paul.
But on that night, would you refuse to glow as high candied legs
yell “Trick or Treat!”?
Would you straighten up proud of the carves and scars
that will rot tomorrow anyway?
Would you think why not shine?
Do you feel a choice inside?
Until a good child gone costumed stomps down. Hard.

Standing strong against the sun
snowmen, bravely hold out their skinny stick arms,
giving the world a high-five. Or the finger.
Some just want to be left alone –
to freeze (for what they may imagine) forever
What would you do if you knew?
Maybe you would want freedom – to melt
in your own way. Maybe head first
or you’d let the left belly-roll slide off.
It all flows back in to the ground. Or the gutter.
How would you withstand the heat,
knowing – against hope – that spring was inevitable?
Would you slip into oblivion? Silent?
Or protest on the corner of North Avenue, as you stood there
until your mouth melted.

Then there’s Spring.

water-drops

Residue

I heard the beginning line* below at a conference, and it caught my attention – it’s from Archibald MacLeish’s modern rendition of Job called J.B. And it started this line of thought…

“Blow on the coals of my heart”*
O God.
Let not my love grow thin
when weariness wastes the withered will.
Give me the foolish courage to answer (and even ask?) the question:

“Am I still breathing?”
Fogging a mirror that reflects
Mildewed eyes. Let not ‘faith’ become a tired word
A common degradation (that offends
or obscures or absorbs).
Let me grow angrypassionatejoyfuldevastatedoverwhelmed
Hammer the fear that lulls me to sleep
Wake me with a whisper
And let me gulp the wind.

The Middle

I can’t imagine what it’s like to flee my home as a refugee. Just a few sketched words:

Sand sifts,
brushes against the canvas tent
A small quavering
refuge
that barely replaces the once
solid house
now crushed in bones under rubble
Joy. It breaks and cracks,
Five hundred miles in the past.
The wandering is one thing
But the wondering is hell.
There’s a Nowhere in the heart.
And the soul is a worn stone, ground
as sand shifts
brushing the quavering
canvas of
refugees that barely can place
their home
now crushed
buried under waiting.
Peace. It looks away.
And hope grows in withered form here…

Turn-Over

First iteration from one of the products of our very first monthly writing group with Halley Greene.

‘False’
reverberates through the
room bouncing through
heads and paintings of barking
animals fighting over bones…

if truth enters, it seeps in under
the door.
Starting at our feet.
and if it isn’t trampled
it may rise to the waist and if
our arms embrace it,
rising higher – squeezed up
up. up. into our eyes and wine glasses
smoking higher
diluting
penetrating
grazing soft kisses on eyebrows
relief through fires’ fear.
extinguishing like a slow suffocating
unaware but so. so. clear
up. up. in the air.
until our ears quit ringing
with the reverberating.

Consonance in the key of love-minor

I admit, this one is purely my own selfish indulgence in my love for the beauty of words…

In light years ahead, can love be seen,
a traveling gleam from this point of view through hundreds of — fears?
And if so, is it trial or triumph?
or simply a trip:
today’s augmented reality: a Thai-fervor with exotic graphics?

Or is it a lonesome lacking
a balloon looking
(like a vagrant Valentine)
frightened of the inescapable
landscape that looms
largely
replacing the lazy longing for love?

A seeking
or freezing?
Learning love
and hating
stepping on
or via vice versa

(My toes are numb…still…)

So artful glances shoot spitefully like a cat,
hair on ends, tail straight up,
suspicious of simpering selves

Suspicious of savory sweets
Scintillating streams of swiss chocolate
thick, melt in your mouth unmentionables
(It’s impossible to talk, anyway, with your mouth full)

A string-along
a run of words
wondering at what moment it would be wise to win?

Or lose?
(A great loss can more than lengthen the lack of lackadaisical looks)

Defenses appear
Hackles instantly rise

A run-on sentence
becomes a rambling Rover of rumors,
the Pied Piper of the painful poets
Forces the English language
to match that effervescent (and sometimes frenetic) language of love…eons ago
eons and languid eons ago.

Whoever may, will
Find love
A laughable test if anyone really knows it well enough,
swelling up
full of philanthropy
Or for some: philandering
(or phallic fallacy?).
All would like to imagine that
no, it must be more than
Phileo

It’s tough, they know
complicated, we know,
but some just don’t give up trying
even when they beg to
die to
love too

It hurts
but in the end, (forgive the moral
but it must be made, you know.)
In the end,
I (amongst all the vice and voice)

Could only hope
that the words and wanderings were worth it, despite wary and wearing
Lifting
like that balloon
Searching for
(not even demarcation or demonstration)
more than decoration

maybe even for deflation
in some one’s lonesome yard.

And it is enough.
It is enough for me.